I’ve owned a few - the whiteface reissue is really special - I like it more than the vintage ones I’ve had. The old ones and the reissue all have noticeably better build quality, better feeling lots, etc.So while “best” is subjective, that’s what I’d go with if looking for “best”.Something about the old small box and the wfri where they are easier to dial in to whatever you want. It may be something as simple as pot taper, but that’s part of what made these ones stand out for me.Sound wise, the new rat2s are quite close. They really nail the aggressive side of the rat, though I found it tricker to dial in some of the warmer sounds of the old ones. The mooer black secret comes really close to nailing those warmer rat tones, but feels a little more compressed and not quite as punchy. I have been a big fan of the RatMy faves have been 90's Rat2, followed by the big box vintage reissue.I have a Soothsayer now and like it a lot because it is very versatile.I have used a few 'clones' including the HArtman LM308 and Mr Vermin. They all do well, and I assume the props given to the very small and affordable Mooer Black Secret can be included.
The down side I find with my Rat clone expereince is that it is more difficult to dial it into its sweetspots where all the controls mesh into a really great tone.I feel you'd be safe trying any Rat you can get a hold of. Just don't be afraid to go all the way to each extreme on the gain and filter controls. Also, let the guitar controls do much of the tone shaping for you.My favorite Rat versions are different from other players' faves. You really need to dig in with your own ears and own rig. I have found as much variation of the ProCo Rats of the same version as I have expereinced across diffferent eras and models. N15235 lan drivers.
They all sound very similar.Best I had was a white face reissue, though the new Fat Rat is awesome and sounded pretty much identicle. I would also be completely happy with the off the shelf new ones for under $100.
I doubt I would notice a difference if I wasn't hoarding a few at the time for spare backup boards and such.The chip 'upgrade' is a bit subtle to me.I would start with any used one you can find. I had a Rat2 that was amazing as well.Definitely my desert island boost to overdrive to fuzz in one box pedal.
Bmw 1200 gs service manual free download. Campbell himself mentions the Rat in this September 1999 'Spotlight on a Heartbreaker' interview from the official Tom Petty & the Heartbreakers website.24) Mark in GA asked: What kind of guitar, pick-ups, amps, any effects pedals, etc. Did you use to get the sound for 'Don't Come Around Here No More?' .
On 'Don't Come Around Here No More' I used a gold top Les Paul through a rat distortion pedal with a boss octaver and a wah wah pedal through an Ampeg rocket amp.also used a slide bottle.On pg. 5-6 of this interview in.Tone Quest Report. Vol. 9 #5(published March 2008, Mike Campbell states that 'Don't Get Me Down' may have used the Rat: Tom was playing my Strat and I was probably playing the Broadcaster through a Rat distortion, both through the Super Beatles. In this Premier Guitar interview (Greg Anderson (speaking for himself and Stephen) states, 'We have some other versions of RAT pedals and some modded Rats as well, but the main one on all the recordings is the original RAT with the 308. It’s the foundation of the front end of our sound before it hits the amp. I’ve used the pedal since the ’80s.
I think I still have the same one I used back then.' ThrashHead: Great. So what did you do differently when you worked with Burns again on 2005's Frozen In Time as opposed to your first four albums?DT: We never really changed our set up or thought patterns whenever we approach a studio.
We still use the same gear literally,.Trevor Peres still plays a Fender Strat with a Marshall stack and a RAT pedal. Same with my drumming, I've been on Yamahas since '87. So it didn't really change all that much with the Frozen In Time album, except I think we were a little more experienced when it came to executing the songs and getting them tracked quickly and properly. But the studio isn't really that much fun man, people always think it's so much fun to be on an album but it's really nerve racking. When the record light turns on it can really put on the pressure and make the experience not that much fun. The bass rig is Paul Barker’s. The head is a Traynor TS-200.
I don’t know anything about the cabinets or speakers. They look homemade hand-crafted by artisanal loudspeaker cabinetiers. The black pedal is a Rat, which I’ve used forever. The purple pedal is a Red Snapper overdrive. I don’t know much about it. Duane bought it because Joe Barresi recommended it, and I was trying it out.
I didn’t use it enough to form an opinion, but when Joe Barresi starts talking about pedals, you better listen up. 'I play through a Rat Distortion Pedal that I keep on top of the amp and I don’t use on and off, I just dial it in and leave it like that.
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I like the Rat Pedal and I don’t know how to explain in distortion terms but the rate of the buzz, I like to have a lot of that. There’s something about the Rat is that it seems to make your tone very cold. So on the Blues DeVille amp I have the Bass set to 12 and the Treble is on 1. So the sound doesn’t come out particularly bass-y after going thru that pedal.' “I played acoustic for the first time – a J-200 on the intro and outro of ‘All Of This And Nothing’ – but my main guitar was a Music Man Sabre II. I put a Les Paul pickup in the neck and a Bill Lawrence in the bridge, and cranked it up through a baby Vox and a Pignose. Pedal-wise, I was using an MXR flanger, a Rat, a Roland Space Echo, delays and wah.
I was always much more into effected-sounding lines than straight ones, and I used a lot of textures and volume pedal swells and some harmonics.”. In this November 2017 interview with Guitars Exchange(Pottsy explains his pedal setup. 'I just use a very simple set of seven pedals in a chain.' He says, 'There is a tuner, a Sparkle Drive (Voodoo Lab), and then I’ve got this round (laughs) this round thing Exporia it’s called; a RAT ProCo, a chorus (Marshall Supervibe) and two delays (Boss DD-5 and a Shadow Echo by Dr.
J.) – one for really going a bit daft and sound-effectsy, which is made by a company called Joyo based in Manchester, and then a short delay for the slapback stuff, because a lot of the Joy Division stuff had been put through a simulator.' The stomps I use are a Pro Co Rat for aggressive, distortion/fuzz tones, a Strymon Flint for any reverb and tremolo needs, and an Ibanez TS9 Tube Screamer for some warm saturation. Everything runs into a Fender Hot Rod Deluxe III. It’s as simple as they come—a single 12-inch speaker and 50 watts of pure volume and fury. I use a TC-Helicon VoiceLive Play for some reverb and delay on my vocals because you can never trust a sound guy laughs. At this point, I don’t think I’ll ever change my rig.”.
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This is like the queen bee of buzzy distortion toys. It does a little of everything and it does it well. Sounds great through an AC30 too, which is a tough amp for most dirt boxes. Everyone should own a rat or something absed on the rat. I have this in a box of junk. It went in there when I had a long period where I didn't use many effects in line and now tis been replaced by the TC Nova Drive that ahs a rat in it.
But I'll probably never get rid of the proco, I've had it forever. Everyone should buy one. I may be biased, but I have never needed to buy, or do research for that matter, for any distortion or overdrive, fuzz, etc. You can literally get any sound you need from a Rat. What I love about this pedal is using it along with the volume knob, at really low volumes it has a whole different character.
As you turn it up, the character changes and becomes something more, but just as intriguing. I have had mine since 1987, I bought it from a friend for $40. I have never played any other distortion in my signal path and I played top 40, metal, rock, blues, funk, 80's, 90's etc, using this pedal for all kinds of effects.
The filter knob, this is the key, when you play a room and the reverb is drowning you out, just turn this know until the frequency cuts through the hoopla, I cannot convey how great it is to have that ability and fix it in 5 seconds with no soundman debates, or having to turn your rig up and then you look like an a.hole. If you don't have a Proco Rat, a Whiteface, vintage or reissue, my preference, then stop reading and go get one if you want to have any integrity as a guitarist. If you kick this pedal on, and there are any guitarists in the audience, oh they will come to see what is making you sound like a beast! Believe me, it will happen as it has to me countless times. Good luck in acquiring one! If you can find one the discontinued TC Nova Drive is a rat with 2 tone shapers coupled to a TS9 circuit and a clean blend.
It has preset storage, receives midi program change data as well as continuous controller data for expression pedals to replace certain knob functions (not that I use that feature). You can use the 2 drive cicuits separately, in series or in parallel (which is really more useful than I expected). I will never go back to a regular Rat and I have owned many of them, even the really early version everyone goes bonkers for now. Great distortion, spongy organic tone with no hiss. Works well on solid states but better on tubes.
Can be powered by 9, 12 and 18v. More juice means more distortion.After trying 13 or so distortion pedals (no exaggeration) I tired this pedal for the first time at my local music store (they are always sold out). Tomb raider patch angel of darkness lyrics.
Rat Distortion Pedal Serial Number Date Code
Upon engaging this pedal while playing a verse from 'Hooks in you' by Iron Maiden, My hair grew 100%, My chest hair billowed from beneath my shirt, and I was able to sing 3 octaves higher. I took it home and hooked it up to my 7 string, and was able to chug out the chunkiest riffs I have ever played.BUY.
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